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Newest Collection: HIATUS - Hiatus


20 February 2023


This week's new collection is HIATUS. Monitors of Modern Art is on indefinite hiatus. After nearly 8 years of posting a new collection every single week, we have unfortunately run fresh out of material. Updates will resume once we can put together more material and fill out a backlog. In the meantime, please feel free to enjoy the thousands of works already present in this gallery!

SPMA >

CASUAL BUSINESS


This work exemplifies elegant simplicity with both its design and its color scheme. The interesting texture in the blue background of the work simply complements the consistent tone and texture of the reddish foreground, with the contours of the image just suggesting the shape of a suit jacket without being too overt.

MAEH >

HORRIFIED WHALE


This is the single best reaction image that this gallery ever has produced, or likely will ever produce. It is elegance in simplicity, personified.

OMA >

DEEP POND


Why are ponds green? I dunno. But then, sometimes you just have to jump in, and maybe it'll make sense. This was the first work ever uploaded to Monitors of Modern Art, and serves as a strong start by presenting a simple, meaningful metaphor.

MBMA >

VENEREAN LANDSCAPE


The name of this work is inspired by its intense warmth. Comprable, perhaps, to the surface of the planet Venus, only with less noxious gas. Like the planet venus, as Venerean Landscape ascends from the bottom, rises in altitude, it becomes less intense and more calming, to match Venus's upper atmosphere and general exterior appearance. Perhaps it is an utterly hellish place, but at least from our point of view, Venus is indeed a truly beautiful planet.

VAMA >

GLINT ON SCALES


This is a truly unique work on every possible level. For starters, this picture isn't really of a screen like every other work in this gallery - the monitor that is its subject is turned off, and isn't broken. Rather, this scale-like texture is set across the monitor's entire screen. Experiments found it to be impossible to remove, and I have no idea how it came to be in the first place. This is likely the only work of its kind that will ever be displayed in this gallery.