This is a good example of a work with a cohesive texture that allows it to utilize complimentary colors in close proximity to each other. Incorporating the whole trinity of red, blue, and yellow, and using a combination of vertical and horizontal lines (and the absence thereof) to define the depth of various parts of the image, make this an excellent composition.

This work uses the gallery's ripple wave archetype in a very interesting way, by restricting it to just two colors and blocking out the center of the image to give less of a sense of where the waves emanate from, or which direction they travel. The shading style and texture also help to make this work memorable and unique.

Some sort of wave travels along, and as it reaches the center of this work it expands and reaches a sort of explosion, from which it departs in a marvelous array of colors. It is abstraction incarnate - what this picture really displays is impossible to understand, but it begs to be examined and reexamined, and admired for its beauty, its incomprehensibility. This work is the precursor to almost every other Ripple Wave work in this gallery, including the entire contents of RWMA and RWMA2.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.