This work uses Moire to its fullest extent. A neon pulse comes from one edge of the image, breaking up and causing cracks in some structure. The pulse's light illuminates the colors and textures of the structure, displaying rough bits of color. This is one of the most fascinating works in MOMA's galleries, with a lot of depth and an inventive and fantastic image. There is a lot to ponder here.

The name of this work is inspired by its intense warmth. Comprable, perhaps, to the surface of the planet Venus, only with less noxious gas. Like the planet venus, as Venerean Landscape ascends from the bottom, rises in altitude, it becomes less intense and more calming, to match Venus's upper atmosphere and general exterior appearance. Perhaps it is an utterly hellish place, but at least from our point of view, Venus is indeed a truly beautiful planet.

This is a very atmospheric work whose central figure is cloaked in what seems like fog, only its upper torso and head visible - and its sword. The work's lighting also reinforces its composition, darkening towards the center, and the texture and moire give depth and movement to the fog, all coming together to create a truly unique and impactful work.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

This work uses the gallery's ripple wave archetype in a very interesting way, by restricting it to just two colors and blocking out the center of the image to give less of a sense of where the waves emanate from, or which direction they travel. The shading style and texture also help to make this work memorable and unique.