This work, though not at all new, is notable for being completely unique among all the other works in this gallery in its texture. While most works have more defined changes in color, or more digital feels, the rounded, almost blurred and genuinely watery-looking contours, color changes, and light refractions make this work truly one-of-a-kind.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.

This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.

This looks less like a typical work of art in this gallery and more like a physical collage, with its spattering of different colors, textures, motifs, and contours. It emphasizes artistic exploration, pushing the boundaries and seeing what can be done.

Shielded Seaview is a work so elegant in its simplicity yet so well accomplishing what it means to do, all with a unique and soothing violet color scheme, that it bears profound respect. The gradient from light to dark is very gradual, and is placed perfectly on a flat border to delimit the sky from the water reflecting it, in one of the best compositions of any work in this gallery.