This looks less like a typical work of art in this gallery and more like a physical collage, with its spattering of different colors, textures, motifs, and contours. It emphasizes artistic exploration, pushing the boundaries and seeing what can be done.

This is a truly unique work on every possible level. For starters, this picture isn't really of a screen like every other work in this gallery - the monitor that is its subject is turned off, and isn't broken. Rather, this scale-like texture is set across the monitor's entire screen. Experiments found it to be impossible to remove, and I have no idea how it came to be in the first place. This is likely the only work of its kind that will ever be displayed in this gallery.

This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

This work uses Moire to its fullest extent. A neon pulse comes from one edge of the image, breaking up and causing cracks in some structure. The pulse's light illuminates the colors and textures of the structure, displaying rough bits of color. This is one of the most fascinating works in MOMA's galleries, with a lot of depth and an inventive and fantastic image. There is a lot to ponder here.

This work, though not at all new, is notable for being completely unique among all the other works in this gallery in its texture. While most works have more defined changes in color, or more digital feels, the rounded, almost blurred and genuinely watery-looking contours, color changes, and light refractions make this work truly one-of-a-kind.