Why are ponds green? I dunno. But then, sometimes you just have to jump in, and maybe it'll make sense. This was the first work ever uploaded to Monitors of Modern Art, and serves as a strong start by presenting a simple, meaningful metaphor.

This is a simple work that focuses on design with a nice, fairly uncommon background color that complements the design well. The work's vertical lines help to emphasize the power of the spell being performed.

This work is the premier work of its style - tissue-paper shading, as I call it - in this entire gallery. Pleasantly abstract, this work is not without uniqueness and charm in its relative simplicity.

This is one of this gallery's premier examples of stellar coloring, texturing, shading, and overall composition. The rough digital texture in the background allows for a uniquely graded style of gradient that the color choices only enhance; this shading style is used to give both an impression of depth and to imply how things are falling apart; especially when it transitions into a dithering fade as deep blackness consumes the area around it. The work's foreground is no less intense and detailed, its sharp and visceral shapes serving as a symbol of determination and resistance - those things hanging on in the midst of the calamity. There is a lot of potential symbolism to be found in this work.

This work, though not at all new, is notable for being completely unique among all the other works in this gallery in its texture. While most works have more defined changes in color, or more digital feels, the rounded, almost blurred and genuinely watery-looking contours, color changes, and light refractions make this work truly one-of-a-kind.