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Newest Collection: HIATUS - Hiatus


20 February 2023


This week's new collection is HIATUS. Monitors of Modern Art is on indefinite hiatus. After nearly 8 years of posting a new collection every single week, we have unfortunately run fresh out of material. Updates will resume once we can put together more material and fill out a backlog. In the meantime, please feel free to enjoy the thousands of works already present in this gallery!

PEMA >

CAVERNELL


This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

CSMA >

PULSE EFFECT


This work uses Moire to its fullest extent. A neon pulse comes from one edge of the image, breaking up and causing cracks in some structure. The pulse's light illuminates the colors and textures of the structure, displaying rough bits of color. This is one of the most fascinating works in MOMA's galleries, with a lot of depth and an inventive and fantastic image. There is a lot to ponder here.

MASC >

HEART


This is an extremely simple but extremely heartwarming work which simply consists of a heart-shaped depression on a soft pink background.

VAMA >

GLINT ON SCALES


This is a truly unique work on every possible level. For starters, this picture isn't really of a screen like every other work in this gallery - the monitor that is its subject is turned off, and isn't broken. Rather, this scale-like texture is set across the monitor's entire screen. Experiments found it to be impossible to remove, and I have no idea how it came to be in the first place. This is likely the only work of its kind that will ever be displayed in this gallery.

PMAS >

SHIELDED SEAVIEW


Shielded Seaview is a work so elegant in its simplicity yet so well accomplishing what it means to do, all with a unique and soothing violet color scheme, that it bears profound respect. The gradient from light to dark is very gradual, and is placed perfectly on a flat border to delimit the sky from the water reflecting it, in one of the best compositions of any work in this gallery.