This is one of this gallery's premier examples of stellar coloring, texturing, shading, and overall composition. The rough digital texture in the background allows for a uniquely graded style of gradient that the color choices only enhance; this shading style is used to give both an impression of depth and to imply how things are falling apart; especially when it transitions into a dithering fade as deep blackness consumes the area around it. The work's foreground is no less intense and detailed, its sharp and visceral shapes serving as a symbol of determination and resistance - those things hanging on in the midst of the calamity. There is a lot of potential symbolism to be found in this work.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.

Why are ponds green? I dunno. But then, sometimes you just have to jump in, and maybe it'll make sense. This was the first work ever uploaded to Monitors of Modern Art, and serves as a strong start by presenting a simple, meaningful metaphor.

This is a fascinating work that uses a digital texture to portray a technical subject matter. The contrast of both vertical lines and the alternating-horizontal-checkerboard texture of the 'port' itself does a great job of giving a unique impression, and the image's overall color contour works together with its composition to give a good sense of directionality.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.