Why are ponds green? I dunno. But then, sometimes you just have to jump in, and maybe it'll make sense. This was the first work ever uploaded to Monitors of Modern Art, and serves as a strong start by presenting a simple, meaningful metaphor.

Shielded Seaview is a work so elegant in its simplicity yet so well accomplishing what it means to do, all with a unique and soothing violet color scheme, that it bears profound respect. The gradient from light to dark is very gradual, and is placed perfectly on a flat border to delimit the sky from the water reflecting it, in one of the best compositions of any work in this gallery.

This work is angular and blocky in an interesting way, and contains a diverse palette of different colors that don't quite mesh but yet do not disrupt each other. It's almost like a broken machine that, yet, still works through force of careful foresight and good construction. This work is also the predecessor of a few later works that explore the "room" theme further, most notably Mystery Room and Maze Room.

This work is the premier work of its style - tissue-paper shading, as I call it - in this entire gallery. Pleasantly abstract, this work is not without uniqueness and charm in its relative simplicity.

This is a fantastic work with a vey unique composition and a fascinating use of negative space and color to portray what looks like a window into a new, fantastic universe. It was taken at the same scale as most of the pixel art in this gallery, and yet does not look like pixel art at all - the work's brightness and outward motion, and blotchy shading, make it completely individual.