This is a fantastic work with a vey unique composition and a fascinating use of negative space and color to portray what looks like a window into a new, fantastic universe. It was taken at the same scale as most of the pixel art in this gallery, and yet does not look like pixel art at all - the work's brightness and outward motion, and blotchy shading, make it completely individual.

This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

This work uses Moire to its fullest extent. A neon pulse comes from one edge of the image, breaking up and causing cracks in some structure. The pulse's light illuminates the colors and textures of the structure, displaying rough bits of color. This is one of the most fascinating works in MOMA's galleries, with a lot of depth and an inventive and fantastic image. There is a lot to ponder here.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

A calming work, representative of an entire class of the works in this gallery. The sunset motif is heavily visible in the background's orange-red color scheme, with the setting sun reflected in the lighter areas of the background. The feeling rolls across the smooth yet turbulent foreground from light into shadow, representing the shift from day into night.