This is a fascinating work that uses a digital texture to portray a technical subject matter. The contrast of both vertical lines and the alternating-horizontal-checkerboard texture of the 'port' itself does a great job of giving a unique impression, and the image's overall color contour works together with its composition to give a good sense of directionality.

This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.

Being among the most cohesive of the works in its style, this work portrays a flock of birds, made of lightning. The bright, razor-thin skeletons of electricity that comprise their skeletons, with a surrounding electric blue glow that fades into the dark sky behind them, make this work more literal than most, yet at the same time abstract, and meaningful.

This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.