This is an interpretive work, is more interpretive, reusing motifs that have been seen before and aggressively focusing on saturation, but at the same time using a lovely lavender as its primary hue and a nice deep blue as a secondary color. The wavering borders between the lavender and the white on the left side of the picture, and the vertical lines, are meant to symbolize the limits of which the work's title speaks, and it's notable that they are fading into each other - the limits are fading, gradually.