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FROM DARK, TO LIGHT

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This work is straightforward, honest, and simple. Against an onstensibly solid magenta background, the shading starts black on the left and transitions to white on the right, the main hue of the image gradually changing to bridge the gap. The general color scheme makes this feel relaxing, rather than tense, and the one stabilizing horizontal bar that starts cyan and also fades to white provides an anchor for the rest of the image.