This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.

This is a good example of a work with a cohesive texture that allows it to utilize complimentary colors in close proximity to each other. Incorporating the whole trinity of red, blue, and yellow, and using a combination of vertical and horizontal lines (and the absence thereof) to define the depth of various parts of the image, make this an excellent composition.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

A calming work, representative of an entire class of the works in this gallery. The sunset motif is heavily visible in the background's orange-red color scheme, with the setting sun reflected in the lighter areas of the background. The feeling rolls across the smooth yet turbulent foreground from light into shadow, representing the shift from day into night.