This work shines as an example of a particular shading style - Pastel Gradient, which is visible towards the top of the image as it fades from a pastel blue into a light pastel yellow. The work uses this shading, along with moire, to create a distinct impression that leads to its name.

This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.

This work is angular and blocky in an interesting way, and contains a diverse palette of different colors that don't quite mesh but yet do not disrupt each other. It's almost like a broken machine that, yet, still works through force of careful foresight and good construction. This work is also the predecessor of a few later works that explore the "room" theme further, most notably Mystery Room and Maze Room.

This work, though not at all new, is notable for being completely unique among all the other works in this gallery in its texture. While most works have more defined changes in color, or more digital feels, the rounded, almost blurred and genuinely watery-looking contours, color changes, and light refractions make this work truly one-of-a-kind.

This is one of the gallery's earlier examples of pixel art, and one of the more composed works. Though quite coarse in texture, the color usage is good, with a lively yellow-peach gradient in the background, blue and cyan emphasizing the subjects of the work, and the magenta line segments help to create structure and give the work a sense of motion.