This work has possibly the most interesting texture of any work in this gallery - it genuinely looks like rough paint, or a some type of fabric. In addition, its composition is very literal, making it an easy work to view and contemplate.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

This is a good example of a work with a cohesive texture that allows it to utilize complimentary colors in close proximity to each other. Incorporating the whole trinity of red, blue, and yellow, and using a combination of vertical and horizontal lines (and the absence thereof) to define the depth of various parts of the image, make this an excellent composition.

This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.

This work is the premier work of its style - tissue-paper shading, as I call it - in this entire gallery. Pleasantly abstract, this work is not without uniqueness and charm in its relative simplicity.