A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

This work uses Moire to its fullest extent. A neon pulse comes from one edge of the image, breaking up and causing cracks in some structure. The pulse's light illuminates the colors and textures of the structure, displaying rough bits of color. This is one of the most fascinating works in MOMA's galleries, with a lot of depth and an inventive and fantastic image. There is a lot to ponder here.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.

This is a fantastic work with a vey unique composition and a fascinating use of negative space and color to portray what looks like a window into a new, fantastic universe. It was taken at the same scale as most of the pixel art in this gallery, and yet does not look like pixel art at all - the work's brightness and outward motion, and blotchy shading, make it completely individual.

Shielded Seaview is a work so elegant in its simplicity yet so well accomplishing what it means to do, all with a unique and soothing violet color scheme, that it bears profound respect. The gradient from light to dark is very gradual, and is placed perfectly on a flat border to delimit the sky from the water reflecting it, in one of the best compositions of any work in this gallery.