ARRESTED FROM SUNLIGHT
This work has an exciting orange-centric color scheme, but only part of the work gets to benefit. A dimmer portion is cut off from the light part by a number of vertical lines that are used here as jail bars. This inner part, despite its dimness, is larger and has more texture, more intricacy, than the outside. It longs for what it's missing, more color, more interest, that it cannot have.