A calming work, representative of an entire class of the works in this gallery. The sunset motif is heavily visible in the background's orange-red color scheme, with the setting sun reflected in the lighter areas of the background. The feeling rolls across the smooth yet turbulent foreground from light into shadow, representing the shift from day into night.

This work boasts a wholly unique compositional style compared to any other work in this gallery, which somehow manages to break from the motifs that its sister works are bound to follow. As is reflected by its name, Cubism alludes to a real artistic style and movement, doing so with just the type of color scheme to be the most effective in that endeavor.

The name of this work is inspired by its intense warmth. Comprable, perhaps, to the surface of the planet Venus, only with less noxious gas. Like the planet venus, as Venerean Landscape ascends from the bottom, rises in altitude, it becomes less intense and more calming, to match Venus's upper atmosphere and general exterior appearance. Perhaps it is an utterly hellish place, but at least from our point of view, Venus is indeed a truly beautiful planet.

This is one of the gallery's earlier examples of pixel art, and one of the more composed works. Though quite coarse in texture, the color usage is good, with a lively yellow-peach gradient in the background, blue and cyan emphasizing the subjects of the work, and the magenta line segments help to create structure and give the work a sense of motion.

This is a truly unique work on every possible level. For starters, this picture isn't really of a screen like every other work in this gallery - the monitor that is its subject is turned off, and isn't broken. Rather, this scale-like texture is set across the monitor's entire screen. Experiments found it to be impossible to remove, and I have no idea how it came to be in the first place. This is likely the only work of its kind that will ever be displayed in this gallery.