This is a very atmospheric work whose central figure is cloaked in what seems like fog, only its upper torso and head visible - and its sword. The work's lighting also reinforces its composition, darkening towards the center, and the texture and moire give depth and movement to the fog, all coming together to create a truly unique and impactful work.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.

This looks less like a typical work of art in this gallery and more like a physical collage, with its spattering of different colors, textures, motifs, and contours. It emphasizes artistic exploration, pushing the boundaries and seeing what can be done.

This work boasts a wholly unique compositional style compared to any other work in this gallery, which somehow manages to break from the motifs that its sister works are bound to follow. As is reflected by its name, Cubism alludes to a real artistic style and movement, doing so with just the type of color scheme to be the most effective in that endeavor.

This work is angular and blocky in an interesting way, and contains a diverse palette of different colors that don't quite mesh but yet do not disrupt each other. It's almost like a broken machine that, yet, still works through force of careful foresight and good construction. This work is also the predecessor of a few later works that explore the "room" theme further, most notably Mystery Room and Maze Room.