This is a fantastic work with a vey unique composition and a fascinating use of negative space and color to portray what looks like a window into a new, fantastic universe. It was taken at the same scale as most of the pixel art in this gallery, and yet does not look like pixel art at all - the work's brightness and outward motion, and blotchy shading, make it completely individual.

This is one of this gallery's premier examples of stellar coloring, texturing, shading, and overall composition. The rough digital texture in the background allows for a uniquely graded style of gradient that the color choices only enhance; this shading style is used to give both an impression of depth and to imply how things are falling apart; especially when it transitions into a dithering fade as deep blackness consumes the area around it. The work's foreground is no less intense and detailed, its sharp and visceral shapes serving as a symbol of determination and resistance - those things hanging on in the midst of the calamity. There is a lot of potential symbolism to be found in this work.

A fairly early work, Warp is one of the gallery's first instances of this sort of rough texture, and this texture still remains a rarity. A very abstract work, yet one with a definite measure of feeling behind it.

This work boasts a wholly unique compositional style compared to any other work in this gallery, which somehow manages to break from the motifs that its sister works are bound to follow. As is reflected by its name, Cubism alludes to a real artistic style and movement, doing so with just the type of color scheme to be the most effective in that endeavor.

This work shines as an example of a particular shading style - Pastel Gradient, which is visible towards the top of the image as it fades from a pastel blue into a light pastel yellow. The work uses this shading, along with moire, to create a distinct impression that leads to its name.