This is a very atmospheric work whose central figure is cloaked in what seems like fog, only its upper torso and head visible - and its sword. The work's lighting also reinforces its composition, darkening towards the center, and the texture and moire give depth and movement to the fog, all coming together to create a truly unique and impactful work.

This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

This work boasts a wholly unique compositional style compared to any other work in this gallery, which somehow manages to break from the motifs that its sister works are bound to follow. As is reflected by its name, Cubism alludes to a real artistic style and movement, doing so with just the type of color scheme to be the most effective in that endeavor.

Gradient in Stages is a work that is unapologetically genuine in a way that almost no other work in this entire gallery can be, and which manages to be wholly unique in its compositional design. Very little of this work was manufactured after the fact - what you see is almost exactly what the monitor looked like before I took the photograph, and it remains, in my opinion, the most incredible monitor I have ever found.

This work shines as an example of a particular shading style - Pastel Gradient, which is visible towards the top of the image as it fades from a pastel blue into a light pastel yellow. The work uses this shading, along with moire, to create a distinct impression that leads to its name.