This is a fascinating work that uses a digital texture to portray a technical subject matter. The contrast of both vertical lines and the alternating-horizontal-checkerboard texture of the 'port' itself does a great job of giving a unique impression, and the image's overall color contour works together with its composition to give a good sense of directionality.

This work shines as an example of a particular shading style - Pastel Gradient, which is visible towards the top of the image as it fades from a pastel blue into a light pastel yellow. The work uses this shading, along with moire, to create a distinct impression that leads to its name.

Why are ponds green? I dunno. But then, sometimes you just have to jump in, and maybe it'll make sense. This was the first work ever uploaded to Monitors of Modern Art, and serves as a strong start by presenting a simple, meaningful metaphor.

This work, though not at all new, is notable for being completely unique among all the other works in this gallery in its texture. While most works have more defined changes in color, or more digital feels, the rounded, almost blurred and genuinely watery-looking contours, color changes, and light refractions make this work truly one-of-a-kind.

Some sort of wave travels along, and as it reaches the center of this work it expands and reaches a sort of explosion, from which it departs in a marvelous array of colors. It is abstraction incarnate - what this picture really displays is impossible to understand, but it begs to be examined and reexamined, and admired for its beauty, its incomprehensibility. This work is the precursor to almost every other Ripple Wave work in this gallery, including the entire contents of RWMA and RWMA2.