This is a truly unique work on every possible level. For starters, this picture isn't really of a screen like every other work in this gallery - the monitor that is its subject is turned off, and isn't broken. Rather, this scale-like texture is set across the monitor's entire screen. Experiments found it to be impossible to remove, and I have no idea how it came to be in the first place. This is likely the only work of its kind that will ever be displayed in this gallery.

This work shines as an example of a particular shading style - Pastel Gradient, which is visible towards the top of the image as it fades from a pastel blue into a light pastel yellow. The work uses this shading, along with moire, to create a distinct impression that leads to its name.

This work is angular and blocky in an interesting way, and contains a diverse palette of different colors that don't quite mesh but yet do not disrupt each other. It's almost like a broken machine that, yet, still works through force of careful foresight and good construction. This work is also the predecessor of a few later works that explore the "room" theme further, most notably Mystery Room and Maze Room.

This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.

The name of this work is inspired by its intense warmth. Comprable, perhaps, to the surface of the planet Venus, only with less noxious gas. Like the planet venus, as Venerean Landscape ascends from the bottom, rises in altitude, it becomes less intense and more calming, to match Venus's upper atmosphere and general exterior appearance. Perhaps it is an utterly hellish place, but at least from our point of view, Venus is indeed a truly beautiful planet.