Hello, and welcome to Monitors of Modern Art!

You can learn more about MOMA here, browse our various collections, experience an endless slideshow of our works, or look below for some highlights of the gallery's best works.


(Warning: This site is not for mobile users browsing on data. Our images are large, mostly uncompressed, and very data-intensive, so it is advised to view this website on a fast wi-fi connection.)

Newest Collection: HIATUS - Hiatus


20 February 2023


This week's new collection is HIATUS. Monitors of Modern Art is on indefinite hiatus. After nearly 8 years of posting a new collection every single week, we have unfortunately run fresh out of material. Updates will resume once we can put together more material and fill out a backlog. In the meantime, please feel free to enjoy the thousands of works already present in this gallery!

PEMA >

CAVERNELL


This work is especially impressive for its flaky, almost pastel-gradient style of shading, and an oddly digital texture that manifests itself more and more closer to the center of the image. These features underscore an incredible transition from a dark red to a deep blue, step by step, in an elegant way.

BMMA6 >

SPECTRAL SWORDSMAN


This is a very atmospheric work whose central figure is cloaked in what seems like fog, only its upper torso and head visible - and its sword. The work's lighting also reinforces its composition, darkening towards the center, and the texture and moire give depth and movement to the fog, all coming together to create a truly unique and impactful work.

MAEE >

A MARVELOUS MESS


This looks less like a typical work of art in this gallery and more like a physical collage, with its spattering of different colors, textures, motifs, and contours. It emphasizes artistic exploration, pushing the boundaries and seeing what can be done.

VPMA >

CHALICE OF THE UNIVERSE


This work shines as an example of a particular shading style - Pastel Gradient, which is visible towards the top of the image as it fades from a pastel blue into a light pastel yellow. The work uses this shading, along with moire, to create a distinct impression that leads to its name.

PMAS >

MEMORY HILL


This work is overtly positive, mainly through its choice of palette. And yet, it remains somber, also partly through its choice of palette, as well as in structure as the negative space in the foreground seems to gaze into the distance. It also serves as a good example of a work that shines in its simplicity.